Numbered, Limited Edition 180g Vinyl! Limited To 2500 Numbered Copies!
All-Analog Mastering by Kevin Gray! Pressed at RTI!
This item not eligible for any further discount offers!
One of the inventors of the modern bebop style of drumming, Blakey is known as a
powerful musician and a vital groover; his brand of bluesy, funky hard bop was
and continues to be profoundly influential on mainstream jazz.
For more than 30 years his band, Art Blakey & The Jazz Messengers included many
young musicians who went on to become prominent names in jazz. Recorded in 1956,
Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop
rhythms that prefigures the concept of Afro-beat by at least a decade. The sheer
energy, not to mention its very special and fresh-sounding intimacy, make it
Even more amazing is that the three parts of the suite -- Blakey's "The
Sacrifice," Ray Bryant's "Cubano Chant," and Oscar Pettiford's "Oscalypso" --
were recorded straight through live, and were only intended to be a pre-take
run-through. As is obvious here, Blakey and company nailed the whole thing right
out of the box.
Groundbreaking for its time, and still sounding vital, powerful, and visionary,
the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh
"Art Blakey's first release for Columbia Records is essentially two records.
Side one is a percussion ensemble playing what would, ten years later, be called
Afro-Cuban drumming. Side two is the mid-fifties version of the Jazz Messengers
featuring Jackie McLean on saxophone. Side one features Blakey, Jo Jones and
Charles Wright on drums, Candido and Sabu on bongos, and Oscar Pettiford and
bass and cello. The group plays three compositions, one by Blakey, one by
Pettiford and one by Ray Bryant, fusing African, Cuban, and calypso percussion
into a well-integrated suite.
"The group recorded a run through and it was so perfectly executed that they
used the practice run for the release, unedited except to add some Swahili
chants by the percussionists during a few passages. One cannot help but think of
Olantunji's Drums of Passion, another Afro drumming landmark, here. Blakey's
drum suite was recorded at Columbia's 30th Street studios in New York in 1957
and is in mono. The almost stereoscopic image is truly remarkable. Mastered by
Kevin Gray and pressed at RTI, Drum Suite is a valuable record of one of the
most important figures in jazz history. Recording: 9/10. Music 9/10." -
Dennis Davis, Hifi+, Issue 114
"...The three-part suite was laid down in one take with no arrangements, and
begins with a few tympani thwacks followed by an African chant. Soon the
ensemble kicks in and the group takes off an a sweaty Afro-Cuban-bop journey
that will leave you breathless, as the thing crackles with terrific energy. Side
Two is more conventional hard bop, but given this group's mastery of if not
invention of the style, these tracks are extremely satisfying. Kevin Gray's
remastering is detailed and immediate, with plenty of bit and air, if not the
widest dynamic range. For anyone interested in percussion of this genre, this is
not to be missed." - Wayne Garcia, The Absolute Sound, September 2014
• Individually Numbered
• Limited To 2500 Numbered Copies!
• 180g Vinyl
• All-analog mastering by Kevin Gray
• Pressed at RTI
Art Blakey, drums
Jackie McLean, alto saxophone
Oscar Pettiford, bass, cello
Spanky DeBrest, bass
Bill Hardman, trumpet
Ray Bryant, piano
Sam Dockery, piano
Charles Wright, drums
Jo Jones, drums
Sabu Martinez, bongos
1. The Sacrifice
2. Cubono Chant
4. Nica's Tempo
5. D's Dilemma
6. Just For Marty