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TAS Super LP List! Special Merit: Informal
Numbered, Limited Edition of Only 3000 Copies!
Original Monaural 180g 45rpm 2LP pressed at RTI!
Rolling Stone 500 Greatest Albums of All Time - Rated
Rolling Stone 500 Greatest Songs of All Time - "Subterranean Homesick Blues" -
Wider Grooves, Superior Sound: Mobile Fidelity’s 45RPM
Edition The Last Word in Analog Fidelity!
Dylan’s 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music
Becomes its Own Art Form. Best of Both Worlds: Dylan Pairs With a Band on Side
One, Goes It Alone on Astonishing Solo “Thought Dream” Odysseys on Side Two.
Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song
Represents New Benchmark in Respective Categories.
Bob Dylan’s Bringing It All Back Home represents the moment that pop and rock
music became their own art form, expressions finally treated with the same
seriousness and respect as classical and jazz. Incalculably influential, the
1965 landmark established myriad benchmarks in songwriting, sound, artwork, and
performance. It served the world notice that Dylan was no longer just the
virtuoso visionary tuned into the wants of the folk community. It’s a disarming
broadcast that declares Dylan’s surroundings and personality, and those of his
audiences, whether they knew it or not, drastically changed.
As part of its Bob Dylan catalog restoration series, Mobile Fidelity is
thoroughly humbled to have the privilege of mastering the iconic LP and pressing it on 45RPM LPs at RTI. The end result is the
very finest, most transparent analog edition of Bringing It All Back Home ever
produced. Forever renowned for its organic sound, the album’s
you-are-there-presence is fantastically enhanced on this superb version, with
wider and deeper grooves affording playback of previously buried information.
The sonics are so realistic, balanced, and tonally accurate that acoustic
guitars resonate with the woody decay they do as when you strum them on your
lap. Equally vivid are the textures of the drum skins, amplified pitch of the
electric guitars, and ambient hum of the interior space of Columbia’s Studio B.
Both the plugged-in and acoustic sides claim a discerning level of
microdynamics, spaciousness, imaging, and warmth that will send even the most
rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic
More than 45 years after its release, Bringing It All Back Home continues to
come on like a prophetic transmission from a savant who’s privy to cerebral
viewpoints, mental transferences, and “thought dreams” elusive to everyone but
him. With the flipside of the album, Dylan strings together four of the most
unflinching, forward-reaching, and boundary-breaking acoustic-based compositions
ever played. In addressing liberating psychedelia, lost innocence, institutional
naiveté, and tarnished relationships, respectively, Dylan constructs a
compositional quartet/suite that functions as metaphor for his waving goodbye to
political folk music’s imprisoning rules and bounding restrictiveness—and a
rough guide to the transcendental poetry, shape-shifting vocal phrasing, and
alternate tunings he now embraced.
Side One remains one of the boldest cohesive artistic statements ever assembled.
Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans,
plugging in with a band and kicking it all off with the in-your-face hootenanny
“Subterranean Homesick Blues” before romping, slashing, and rolling through
“Maggie’s Farm,” another fun albeit caustic indictment of homogenous thought and
bohemian method. Dylan’s attitude undergoes a self-awakening metamorphosis, his
lyrical scope broadened, his hallucinogenic interests increased, his willingness
to embrace paradoxes and shake them out with mind-convulsing aptitude in line
with his progression towards bizarre imagery.
Ranked 31 on Rolling Stone’s list of the 500 Greatest Albums of All Time,
Bringing It All Back Home marks the moment when paradigms permanently shifted,
preexisting standards fell, and fresh aural, poetic, and sonic dialects came to
fore. Albums don’t come more vetted. You deserve to experience it in the
• Numbered, Limited Edition of Only 3000 Copies
• 45rpm Speed Edition
• Double LP
• Production & Mastering by Mobile Fidelity Sound Lab
• Specially Plated & Pressed on 180g High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Original Monaural
• Gatefold Jacket
• Heavy Duty Protective Packaging
• Pressed at RTI
• Exerpt by Bob Dylan
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie’s Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan’s 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. It’s Alright, Ma (I’m Only Bleeding)
11. It’s All Over Now, Baby Blue