Duke Ellington Masterpieces by Ellington 200g LP (Mono)
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Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 1/100!
TAS Super LP List! Special Merit: Informal
2015 Stereophile Magazine Record to Die For!
Michael Fremer Rated 11/11 Music, 11/11 Sound in his
December 2014 reviews on www.analogplanet.com!
200g Vinyl LP Pressed at Quality Record Pressings! Remastered from Original
Analog Tapes by Ryan Smith at Sterling Sound!
A historic record - recorded just four years removed from the dawn of the
analog tape era!
"Most highly recommended. It's one of my "Records to Die For" in the February
2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well
worth the money. A true classic both musically and sonically and a historical
work of art you can now own." -Michael Fremer, analogplanet.com, Music
11/11, Sound 11/11
"The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, 2015 Stereophile Magazine Record to Die For!
"Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever." - Fred Kaplan, 2015 Stereophile Magazine Record to Die For!
Masterpieces By Ellington shines from an astonishingly brief period of history
that gave the recording industry two of its greatest achievements — the
introduction of magnetic tape recording and the 33 1/3 LP, or long-playing
Four years. That's all it took to go from the discovery by Americans, of German
advancements in the field of sound recording, to the marketing of tape decks in
the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the
first long-playing record to be sold to consumers.
The four selections contained here catapulted the Maestro Ellington into the LP
era, as the great composer/arranger/pianist and his matchless orchestra took
full advantage of the possibilities afforded by magnetic tape recording and the
still-new 33 1/3 RPM LP to, for the first time, capture uncut concert
arrangements of their signature songs.
Suddenly, for the first time in his career, Ellington was able to forgo the 3
minutes-and-change restrictions afforded by the short running time of the 78 RPM
disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut
concert arrangements' of three of his signature songs — “Mood Indigo,”
“Sophisticated Lady,” with evocative vocals by Yvonne Lanauze, as well as
“Solitude.” Masterpieces was also notable for the debut of the full-bodied,
surprise-laden “The Tattooed Bride,” and for the swansongs of three Ellintonian
giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto
saxist Johnny Hodges (the latter two would eventually return to the fold).
This album wouldn't have been possible without a chain of events starting at the
end of World War II. Recorded in December 1950, just five years after Germany
fell to the Allies, revealing the Germans' advances in magnetic tape recording,
Ellington's master work holds its wonder still today and the recording quality
hands-down betters the sound of many modern-day albums.
Masterpieces is a revelation and a throwback to a golden recording age. So much
history and so much luck combined make this album truly special.
"Even in this august company, 'The Tattooed Bride' is a swinging virtuoso
piece that, as everyone present must have known, couldn't possibly have been
captured in this manner in any era before this session — this was also one of
the last sessions to feature the classic Ellington lineup with Johnny Hodges,
Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound,
and so it's a doubly precious piece (as is the whole album), among the last
written specifically for this lineup." -Bruce Eder, allmusic.com
• 200g Vinyl
• Plated and pressed at Quality Record Pressings
• Remastered by Ryan Smith at Sterling Sound from the original analog tapes
• Gatefold old-school "tip-on" on jacket by Stoughton Printing
• Tracks presented in 'uncut concert arrangements'
• Presented in Original Mono
Duke Ellington, piano
Billy Strayhorn, piano
Russel Procope, saxophone
Paul Gonzalves, saxophone
Johnny Hodges, saxophone
Jimmy Hamilton, saxophone
Nelson Williams, trumpet
Andrew Ford, trumpet
Harold Baker, trumpet
Ray Nance, trumpet
William Anderson, trumpet
Quentin Jackson, trombone
Lawrence Brown, trombone
Tyree Glenn, trombone
Mercer Ellington, horn
Sonny Greer, drums
Wendell Marshall, bass
1. Mood Indigo
2. Sophisticated Lady
3. The Tattooed Bride