Unique One-Step Supersonic™ Process! Specially Autographed & Hand-Numbered by Lyn Stanley herself! Only the First 1000 Copies are Autographed & Hand-Numbered!
Audiophile Limited Edition 180g 45rpm One-Step Supersonic Double Vinyl Mastered by Bernie Grundman!
Special Limited Edition Pressing of Only 2000 Copies! Guarantee your copy by ordering today!
Serial numbers starting at 101 are being shipped as orders received! Lowest Numbered Copies First Come, First Served!
This item not eligible for any further discount offers!
The Moonlight Sessions has a total of 26 song divided into two albums (Volume One has 12 tracks and Volume Two has 14 tracks). Supported by the best jazz musicians in the business--Mike Garson, Tamir Hendelman and Christian Jacob take the listener on a journey that combines classical music with jazz standards plus some POP tunes with new approaches-including Willie Nelson's "Crazy, "Why Don't You Do Right?," "Over the Rainbow," and "At Seventeen."
You will hear Chopin, Ravel, Beethoven, Debussy and Mozart references to breathe a new excitement into a few jazz standards like you've never heard them before! Critics are raving about this project and the #1 Jazz radio station in the USA, KKjz proclaims Lyn to be one of the "most outstanding" vocalists in jazz, calling the project "Brilliant!"
She has also added songs to this special project from the country and pop genres
and added arrangement twists with jazz applications that modernize them as they
delight your ears. On board for The Moonlight Sessions are her stellar cast of
musicians. Piano: Mike Garson, Christian Jacob and Tamir Hendelman; Bass: Chuck
Berghofer; Drums: Joe La Barbara, Ray Brinker and Bernie Dresel; Jazz Guitar:
John Chiodini; Percussion: Luis Conte; Harmonica: Hendrik Meurkens; Harp: Corky
Hale, Carol Robins; Trumpet: Chuck Findley; Trombone: Bob McChesney; Tenor Sax:
Rickey Woodard are all on board and recorded. This project’s arrangers include,
Mike Garson, Christian Jacob, Tamir Hendelman, John Chiodini, Steve Rawlins and
Doug Walter. Lyn Stanley is the Executive Producer with Co-Producers Lyn
Stanley, Mike Garson and John Chiodini.
Recording Engineers: Al Schmitt & Steve Genewick. Assistant Engineers: Paul Taveneer & Spencer Guerra. Mixing Engineer: Michael Bishop/Five Four Productions. One-Step SuperSonic Vinyl Mastered by Bernie Grundman at Bernie Grundman Mastering. Pressed on Premium HQ-180 Vinyl at RTI. Recorded at The Village Recording Studio D in Los Angeles, California in February 2017.
"High End 2017: Lyn Stanley amazes with her lacquers! I spoke with Lyn Stanley before the show, she was gentle enough as to tip me about this event, she would be playing lacquers in the EAR Yoshino room with legendary designer Tim de Paravicini. The system consisted of EAR top of the line electronics paired with Rockport speakers and Tim’s turntable with a My Sonic Lab MC cartridge. Lyn and Tim went through the details, explaining how difficult and expensive is to produce a one step vinyl record, omitting several passages (mother copy and stampers) in the pressing chain, thus keeping the sound as close as possible to the master lacquer and the recording itself. Add that to a superb production with nothing but analog equipment used throughout the recording and mastering process and with nothing but the best musicians out there (with names such as Mike Garson and Rickey Woodard to name a few) and you have one hell of a record with Lyn singing classics like "My Funny Valentine" and "Crazy."" - Panagiotis Karavitis, Part-Time Audiophile
"LYN STANLEY/Moonlight Sessions V.1: This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout." - Chris Spector, midwestrecord.com, Read More!
"AXPONA 2017: Lee’s Best of Show: Best Music. Three-way tie. 1. Intervention Records‘ new Flying Burrito Brothers LP. Shane Buettner and Kevin Gray simply don’t know how to do bad work. 2. Lyn Stanley‘s Moonlight Sessions: Volume One. Sounded so natural on the Ultra 11s. Of course, Bernie Grundman was involved on the mastering side and Lyn always has the best musicians and producers. 3. MA Recordings‘ Todd Garfinkle is now pressing LPs of his stellar recordings. Sera Una Noche and several other titles are available so far and we analog fans are richer for it." - Lee Scoggins, Part-Time Audiophile
"Lyn, I have seen you evolve from a very good vocalist to now among the most outstanding. I have to select airplay based on the content, not how much I admire the singer. In this case, you are so outstanding that admiration for your efforts makes it easy to provide you to get top billing on the station. The choice of selections and the arrangements plus your singing are marvelous - For all future releases please send to my attention, and have someone verify the CD was sent to me. As one who has the honor of programming the world's No. One Jazz station, I am pleased that we have such great product to perform." - Saul Levine, KKjz, Mt. Wilson Broadcasting
"Jazz singer Lyn Stanley, whose three albums are prized by audiophiles for
their pristine sound, is determined to achieve an even higher level of
resolution on her next project. Stanley plans to have a very limited number of
vinyl copies of her upcoming “Moonlight Sessions” releases made using the
“one-step process.” The manufacturing technique promises to put listeners closer
to the sound heard in the studio... The singer is calling her version of one-step
“SuperSonicVinyl.” Each album will be spread across two 180-gram, 45-rpm discs.
“The sound quality is going to blow everyone away,” Stanley said." - John
Stancavage, Part-Time Audiophile Read more!
This one-step pressing process was used often during the early days of
vinyl record manufacturing. But when mass vinyl production was needed, the
manufacturers had to create more cost effective means to make vinyl copies.
To make a vinyl record, you need a "Negative Source" to imprint the vinyl
grooves. The industry standard today is a THREE-step lacquer process designed to
create the largest number of records from one lacquer (they are expensive to
create). To do this three steps are required–from the lacquer (positive source)
STEP ONE: make a "Father" (a negative source), STEP TWO: create a Mother from
the Father (positive source) and then STEP THREE: create "Stampers" (negative
source) from the "Mother." This way the "Father" does not get used very often
and is the most preserved “negative source.” However, the record you listen to
is three steps removed from the original mastered lacquer and can grab hissing,
or subtile glitches that affect the sound recording on your system. The ONE-Step
method takes the “Father” from the original lacquer and that is what will create
your vinyl record. Some “Fathers” only last for 100 pressings, others have gone
to 1000. It depends on the processing and original lacquer quality. Once the
Father is no longer able to make a great recording, it must be destroyed and no
other albums can be created from that original lacquer.
Lyn Stanley's SupersonicVinyl™ is a superior quality vinyl record
utilizing advanced recording techniques captured with analog mixed and mastered
quality tape-recorded and mastered by award-winning engineers in state-of the
art studios. Then they hire One-Step experienced 'audiophile quality' pressing
plants to create what is believed to be "simply the best recordings' available
"Six years ago, Lyn Stanley was a retired marketing executive wondering if
she could pass muster for her church choir. Today, she’s an internationally
known jazz vocalist whose award-winning audiophile recordings feature A-list
musicians, producers and engineers. While Stanley has carved a niche in the
high-end world, her albums go far beyond clinical speaker-testing tools. They
practically ooze a lush, emotional atmosphere that only happens on those rare
occasions when great players are allowed to stretch out in a relaxed, inspired
"Stanley is now working on her next project, a two-album set she’s calling “The
Moonlight Sessions.” Being the restless spirit she is, Stanley has carefully
devised an ambitious plan to break some new musical ground. “I’m going to
combine jazz standards with classical music,” she explained. “For instance,
we’re going to do (Antonio Carlos) Jobim’s “How Insensitive” merged with
Chopin’s “Prelude in E Minor.” It may be hard to wrap your head around that
concept, but a demo I heard from rehearsals sounded sublime." - John
Stancavage, Part-Time Audiophile Read more!
• Unique SupersonicVinyl™ One-Step process
• Specially Autographed & Hand-Numbered by Lyn Stanley! Only the First 1000 Copies are Autographed & Hand-Numbered!
• Audiophile Limited Edition
• 45rpm 180 Gram Double Vinyl
• Special Limited Edition Pressing of Only 2000 Copies!
• As with all Lyn Stanley albums, Mastered by Bernie Grundman
• Gatefold Jacket
• Pressed at RTI
Lyn Stanley (all vocals)
Mike Garson (piano)
Tamir Hendelman (piano)
Christian Jacob (piano)
Chuck Berghofer (bass)
Joe LaBarbera (drums)
Ray Brinker (drums)
Bernie Dresel (drums)
John Chiodini (guitar)
Rickey Woodard (tenor sax)
Chuck Findley (trumpet)
Bob McChesney (trombone)
Corky Hale (harp)
Carol Robins (harp)
Hendrik Meurkens (harmonica)
Luis Conte (percussion)
Steve Genewick (snaps)
1. All Or Nothing At All
2. Willow Weep For Me
3. Moonlight Serenade
4. My Funny Valentine
5. Embraceable You
6. Why Don't You Do Right?
7. Girl Talk
9. Close Your Eyes
10. How Insensitive (Lyn Stanley with Tamir Hendelman)
I just wanted to post our thoughts on Volume 1 Moonlight Sessions. To say it is a landmark achievement is a huge understatement to say the least. I felt the same way as many others felt as I heard it for the first time. This is a complete expression of not only fantastic sound, better than ANY that I have in our collection, but a complete journey into the world where music and romance become one. This is one of the few albums I have that I feel completely immersed into the sound AND the emotion of the song. This is hard to do even with the most accomplished live performances of that time, let alone enjoying the luxury of listening whenever you want. You are to be transported into a venue with JUST you and the artist, after hours at a time when romance was and still should be king. The arrangements that were done with finesse, technical merit, and are just downright gorgeous. This lays the groundwork to be the cornerstone of a masterpiece that should be cherished for centuries to come. Even if you dont appreciate this kind of music, this work should be the standard to listen to. I feel this is the most accurate rendition of this kind of music that is left in its truest form. This is a labor of love for the music, a rare and wonderful taste of the culture that was prevalent when songs of this time period were just made. This is the best of the best IMHO. This is a must hear album that is a rarity In a world in which so many are treated like a number. I consider this work a rare, wonderful masterpiece that is a complete consecration of this kind of music, rather than what others could have very easily made a desecration. This is one if not the best example what is possible in a performance, arrangement, AND technical merit. Much ❤️Always in this journey, and am anxiously awaiting the next chapter in volume 2!!!
- Daniel Thomas, CA
Moonlight Sessions vol 1 an instant classic!
Ive just played Lyn Stanleys latest jazz vocal, Moonlight Sessions vol.1, on 180g 45 rpm vinyl. It is outstanding from both a musical and sonic perspective. If I had to describe Stanleys musical approach in one word, that word would be intimate. I found myself imagining a smoky after-hours club where I sat nursing a drink and wounded feelings while being consoled by a torch singer who made me believe I was the only person she was singing to - and that she understood. Her intonation is precise, her pitch perfect, and her technique is always appropriate for the emotion she seeks to convey. So far, my favorites include Willow Weep for Me, Moonlight Serenade, My Funny Valentine, How Insensitive, and In the Wee Small Hours. The sonics are spectacular, as you would expect from recording engineer Al Schmitt and mastering engineer Bernie Grundman. But there is another trick up this LPs sleeve: the one step pressing process that cuts two generations out of the record making chain. I can see this becoming standard fare at audio show demonstrations, and will be in heavy rotation at my place for the foreseeable future.