180g Audiophile Virgin Vinyl Pressed at Pallas in Germany!
Cut at Emil Berliner Studio and Mastered from the Original Masters of Universal Music!
Violinist Nathan Milstein is backed by The Concert Arts Orchestra conducted by Walter Susskind for this recording of Violin and Orchestra masterpieces by Mozart, Beethoven, Wieniawski, Novacek, Stravinsky, and Saint-Saens.
"The double-stopping of the big theme in the Wieniawski and the audible bouncing of the bow in the lightning-quick passages of the Saint-Saëns show Milstein at his best. The Stravinsky is presumably based on the composers own arrangement for violin and piano (made with Dushkin), the violin taking not only the melody originally given to the bassoon but all the other phrases that could conceivably be regarded as melody. Here the orchestral part appears to be more than a restoration of the 1919 scoring with fuller woodwind added, conceivably owing something to the original 1911 scoring. In any case no one is likely to worry overmuch about the ancestry of what here becomes a delightful occasional piece, warmly performed..." - The Gramophone magazine
Features:
180g Audiophile Virgin Vinyl
Cut at Emil Berliner Studios
Mastered from the Original Masters of Universal Music
Audiophile analogue mastering by the expert Maarten de Boer at Emil Berliner Studios
Analogphonic release
Pressed at Pallas Gmbh in Germany
Musicians:
Nathan Milstein, violin
The Concert Arts Orchestra
Walter Susskind, conductor
Selections:
Side One:
Wolfgang Amadeus Mozart (1756-1791)
1. Adagio in E Major, K. 261
2. Rondo in C Major, K. 373
Ludwig van Beethoven (1770-1827)
3. Romance No. 2 in F Major, Op. 50
Side Two:
Henryk Wieniawski (1835-1880)
1. Legende, Op. 17
Ottokar Novacek (1866-1900)
2. Perpetual Motion
Igor Stravinsky (1882-1971)
3. Berceuse (The Firebird)
Camille Saint-Saens (1835-1921)
4. Introduction and Rondo Capriccioso
Cut at Emil Berliner Studio and Mastered from the Original Masters of Universal Music!
Violinist Nathan Milstein is backed by The Concert Arts Orchestra conducted by Walter Susskind for this recording of Violin and Orchestra masterpieces by Mozart, Beethoven, Wieniawski, Novacek, Stravinsky, and Saint-Saens.
"The double-stopping of the big theme in the Wieniawski and the audible bouncing of the bow in the lightning-quick passages of the Saint-Saëns show Milstein at his best. The Stravinsky is presumably based on the composers own arrangement for violin and piano (made with Dushkin), the violin taking not only the melody originally given to the bassoon but all the other phrases that could conceivably be regarded as melody. Here the orchestral part appears to be more than a restoration of the 1919 scoring with fuller woodwind added, conceivably owing something to the original 1911 scoring. In any case no one is likely to worry overmuch about the ancestry of what here becomes a delightful occasional piece, warmly performed..." - The Gramophone magazine
Features:
180g Audiophile Virgin Vinyl
Cut at Emil Berliner Studios
Mastered from the Original Masters of Universal Music
Audiophile analogue mastering by the expert Maarten de Boer at Emil Berliner Studios
Analogphonic release
Pressed at Pallas Gmbh in Germany
Musicians:
Nathan Milstein, violin
The Concert Arts Orchestra
Walter Susskind, conductor
Selections:
Side One:
Wolfgang Amadeus Mozart (1756-1791)
1. Adagio in E Major, K. 261
2. Rondo in C Major, K. 373
Ludwig van Beethoven (1770-1827)
3. Romance No. 2 in F Major, Op. 50
Side Two:
Henryk Wieniawski (1835-1880)
1. Legende, Op. 17
Ottokar Novacek (1866-1900)
2. Perpetual Motion
Igor Stravinsky (1882-1971)
3. Berceuse (The Firebird)
Camille Saint-Saens (1835-1921)
4. Introduction and Rondo Capriccioso
