Pink Floyd Wish You Were Here Hybrid Multi-Channel & Stereo SACD
Out Of Print! Only A Handful Left! Last Chance!
35th Anniversary Edition!
First Ever 5.1 Surround Sound Version Mixed From Original Analog Master Tapes by James Guthrie!
Rolling Stone 500 Greatest Albums of All Time - Rated 211/500!
Rolling Stone 500 Greatest Songs of All Time - "Wish You Were Here" - Rated 324/500!
The Most Anticipated SACD Release Since The Dark Side Of The Moon!
Easily The Biggest SACD Title In The Analogue Productions Catalog!
Wish You Were Here is a multitrack masterpiece. Now, to have it mixed for 5.1
surround sound from the original analog master tapes by Pink Floyd's
Producer/Engineer James Guthrie is very exciting.
Is this the biggest SACD reissue in the history of the format? Time will tell,
but don't bet against it.
Wish You Were Here(?) Now you can be. Total lifelike recreation of a
chart-topping, pioneering, way-ahead-of-its-time blockbuster.
You talk about a title made for multichannel SACD! It's as if they knew 35 years ago that this format would be available. Finally, technology caught up with Pink Floyd. And oh how lucky we all are to still be around to hear this legendary
studio recording in its full potential.
This monumental SACD is released as a part of EMI's huge Why Pink Floyd...? campaign that includes remastered CDs, Blue-rays, DVDs, LPs, memorabilia box sets and this, the first-ever multichannel presentation of Wish You Were Here.
The SACD also of course includes a stunning stereo mix. And
as this is a hybrid disc, the record is of course also playable on a standard CD
On its release in 1975 Wish You Were Here topped the album charts in both the UK
and the U.S. Reflecting the band's thoughts of the time on the music business
and exploring themes of absence, Wish You Were Here contains the classic cut
"Shine On You Crazy Diamond," a tribute to founding band member Syd Barrett.
In fact, Barrett, who'd long been absent from the lives of Pink Floyd's band
members, stopped by the Wish You Were Here recording sessions at London's Abbey
Road Studios unannounced. The reunion - with Barrett reportedly appearing in
poor mental condition - is said to have been an emotionally stirring event for
the band, and apparently that encounter would be the last any of the band
members were ever to see of Barrett, who died in 2006.
As they did with their previous release, Dark Side of the Moon, Pink Floyd made
great use of studio effects for this, their ninth album overall. The record's
winding soundscapes are perfect for the canvas of multichannel SACD. Spacious
and airy, the record breathes like a living being.
Wish You Were Here was selected by Rolling Stone as No. 209 on their list of
"The 500 Greatest Albums of All Time". And that's before they heard it like
"The Floyd's follow-up to The Dark Side of the Moon was another essay on
everyday lunacy, dominated by the liquid-rock suite "Shine On You Crazy
Diamond," a poignant allusion to errant ex-member Syd Barrett. "Have a Cigar" is
a searing blast at the music biz, with the classic line, "Which one's Pink?"
"...There really aren't words for how spectacular, and how musically right,
Guthrie's remix was and the quality imbued in every bit of this production...I
have been hearing this music since the day it arrived in my local record store
35 years ago and never imagined anything like this. Guthrie's expert, musically
impeccable multichannel remix added depth and clarity to the superb original,
and how he got Richard Wright's ARP string to orbit the room several feet above
my heard has to be the result of some sort of voodoo...Mind-boggling." -
Paul Bolin, The Audio Beat, November 3, 2011
"...If ever an album was made for surround replay, Wish You Were Here was it.
Originally conceived with a Quad mix in mind, the massive scale and bandwidth
demands of the album reinforce the benefits of the multichannel format. If ever
a record should have been labeled 'PLAY LOUD,' this was it, and five channels of
amplification, five speakers and the underpinning of a serious subwoofer might
not be essential, but they certainly add to the effect. Regular Floyd producer
Guthrie has created a tasteful and effective 5.1 mix that actually succeeds in
adding to the music, the special embellishments and immersive quality simply
extending the sense and impact of the event...I can assure you that you'll not
be disappointed...For once we have a reissue that stands up to the hype."
Music = 5/5, Sound = 4.5/5 - Roy Gregory, The Audio Beat, November 2011
"...The music may be almost 40 years old, but it sounded fresh because of the
mix, which used the center and rear channels very effectively, creating a true
soundscape that was startling at points - especially immediately before the
lyrics began to 'Shine On You Crazy Diamond' - and mindblowing at others. This
demo was a potent reminder of how innovative and expertly constructed this music
was - and that David Gilmour's greatness cannot be overestimated. Only such a
promising demo could pack a room with press during the opening minutes of the
show." - Mark Mickelson, The Audio Beat, October 2011
"Wow! This landmark disc beats out the earlier SACD of Pink Floyd’s Dark Side of the Moon. Rolling Stone rated the stereo version one of the 500 Greatest Albums of All Time, but in gorgeous 5.1-channel remastered surround made from the original quad master tapes by the Floyd’s Producer-Engineer James Guthrie, it becomes an unbelievable blockbuster. Pink Floyd pioneered the creative use of surround sound in their concert performances, but they didn’t get any of their quad mixes distributed on disc, DTS CD or tape as did The Moody Blues. Now technology has caught up with them and we can hear the entire amazing potential of this monumental album." - John Henry, www.audaud.com, 5 Stars!!
"While Pink Floyd were recording this elegy [Wish You Were Here] for burned-out ex-frontman Syd Barrett, he mysteriously appeared in the studio in such bad shape that, at first, nobody in the band recognized him. 'He stood up and said, 'Right, when do I put my guitar on?' keyboardist Rick Wright recalled. 'And of course, he didn’t have a guitar with him. And we said, 'Sorry, Syd, the guitar’s all done.'" - Rolling Stone
Recorded at Abbey Road Studios January to July 1975.
• Super Audio CD
• SACD Multi-Channel SACD Layer
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Special 6 1/4" x 5 1/2" Book-Style Packaging
• 8-Page Full Color Attached Booklet with Full Lyrics
• 6 Postcards "Burning Man", "Man in the Desert", "Cover Sticker", "The Veil", "The Diver" & "The Swimmer" Housed in Special Pocket.
• 5.1 surround mix by James Guthrie
• Assistant engineer Joel Plante
• Mastered by James Guthrie and Joel Plante
• Mixed and mastered at das boot recording
• DSD authoring for SACD by Gus Skinas
David Gilmour, guitars, vocals
Nick Mason, drums
Roger Waters, bass guitar, vocals
Richard Wright, keyboards, piano, vocals
Dick Parry, sax (1, 5)
Roy Harper, vocals (3)
Venetta Fields, Carlena Williams, backing vocals
1. Shine On You Crazy Diamond (Part One) (1-5)
2. Welcome To The Machine
3. Have A Cigar
4. Wish You Were Here
5. Shine On You Crazy Diamond (Part Two) (6-9)
||Im speechless and frankly, stunned!
|Folks this album was recorded a year before I graduated high school and I have the original lp release, and a CD reissue. Listening to this SACD is an event. I just received the disc today. Lights out legs up no distractions. listened at volume. Clean, atmospheric, stereo extravaganza, awestruck by the composition and attention to detail. James Guthrie and Joel Plante have remastered and reengineered this music, making it an event. I cant, dont want to listen to anything else tonight after hearing this.
If you know this music or not makes no difference. Do what you need to do to get this disc. A totally new standard for quality of reproduction. Buy this disc knowing that it will alter your perception of the rest of your music library. 10 stars!|
|- Phil Acaley, PA|