Reference Recording Orchestral Anthology Ultra HD CD
Ultra High Definition 32-Bit Mastering Produced Using PureFlection Process!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!
Reference Recording's Orchestral Anthology plays host to music by composers
including Aaron Copland, Leonard Bernstein, Rimsky-Korsakov, Mussorgsky,
Rachmaninoff, Randall Thompson, Respighi, and Berlioz. The music is taken from
Reference Recordings CDs and are performed by the likes of Eiji Oue and the
Minnesota Orchestra, the Dallas Wind Symphony and conductor Frederick Fennell,
The Utah Symphony Orchestra lead by Varujan Kojian, the London Philharmonic
Orchestra conducted by Jose Serebrier, as well as the Turtle Creek Chorale.
A Better CD Production Process - The Pure Reflection (PureFlection) Process:
FIM UHD CDs now sound undeniably better than ever! FIM's first priority is to
locate a factory that at offers the latest technologies throughout its entire
production chain, from the best A-grade polycarbonate materials, to testing and
accurate quality control tools. The factory must produce a detailed
specification sheet which ensures the discs produced demonstrate the same
quality as the original recording.
To assure us of the best results, FIM has enlisted the help of one of the most
experienced mastering engineers in the industry to craft the glass disc for the
final replication process. Winston Ma continually maintains close rapport with
him, as well as the original recording engineers, the mastering engineers and
the manufacturer to achieve consensus regarding musicality and the sound
FIM's glass mastering-disc engineer maintains expertise in the latest
technologies: he currently uses a special blu-ray recordable mastering thermal
process technique to create small smooth grooves which result in precision
fidelity. He is meticulous in ensuring the best track pitch and the distance
between the spiral of the pits, to reduce the amount of noise the tracking servo
in the drive picks up from adjacent tracks, thus ensuring the best parameters on
Cross Talk (XT) by minimizing the servo noise of the Drive during playback of
the replica results.
To further ensure the best quality, FIM stipulates the most extensive test
specification requirements. Pure Reflection (PureFlection) discs show in every
CD booklet the full spectrum of specification of a given CD in the following
BLER (17 items)
BERL (9 items)
Physical (6 items)
Jitter (6 items)
E22 Graph and
The concept of UHD 32-Bit PureFlection is the transformation of a superior sound
into something truly exceptional, enhancing the experience without interfering
in it. Sit back, relax and listen to the new sound of a UHD 32-Bit PureFlection
Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality
mastering system. This leading-edge system has achieved unprecedented sonority
and musicality, reproducing as closely as possible the sound of the original
master tape! This format employs what is currently the highest attainable
resolution bit depth (word length) in the professional audio field, i.e. 32-bit.
32-bit resolution makes possible maximized, undistorted dynamics, and the lowest
noise floor, allowing even the quietest musical information to be heard more
clearly. This breakthrough results from the development, through years of
experience and application of advanced digital technology, of a sophisticated
A/D and D/A processing system.
Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows
flexibility in meticulously choosing the appropriate bandwidth for a particular
recording. The higher the sampling rate -- for example, 192 kHz -- the greater
the bandwidth. However, merely employing the greatest bandwidth may not
guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96
or 176 kHz -- may offer better musicality and more homogeneous harmonics. This
determination requires careful and discerning auditioning and professional
judgment. In the end, the human beings hearing and emotions should be the final
arbiter, rather than the print-out of testing equipment or technical
Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192
kHz bandwidth whenever the original analog master is at hand. Alternatively, if
the original recording is on 24/96, the 32/96 may eventually be used to maintain
the integrity of the sonority particular to that recording. With this
flexibility, First Impression Music believes that preeminent sound is only
achievable when the chemistry of the recording, mastering, glass-stamper making,
replication, and quality control is right. As always, listening is believing.
This recording has been mastered by the new Ultra High Definition 32-Bit
Mastering process, which creates an unbelievable sound surpassing other formats!
The benefits of Ultra HD 32-Bit Mastering:
Ambience of Analogue Sound
The Lowest Noise Floor, allowing even the quietest musical information to be
heard more clearly!
Richer Sound Field
Master-Tape Quality Sound!!!
Delivers what musicians originally intended!
Ultra HD Mastering
Produced using PureFlection (Pure Reflection) Process
Playable on ALL CD Players!
Ensemble Minnesota Orchestra (1,2,4,5,7,8)
Eiji Oue, conductor (1,2,4,5,7,8)
London Philharmonic Orchestra (3)
Jose Serebrier, conductor (3)
Turtle Creek Chorale (6)
Dr. Timothy Seelig, artistic director (6)
Dallas Wind Symphony (6,9)
Frederick Fennell, conductor (9)
The Utah Symphony Orchestra (10)
Varujan Kojian, conductor
1. Fanfare For the Common Man
2. Overture to Candide
3. The Sea and Sinbad's Ship, from Scheherazade
4. Night on Bald Mountain
6. We Fight Not for Glory, from The Testament of Freedom
7. March, from Etudes Tableaux
8. War Dance, from Belkis, Queen of Sheba
10. March to the Scaffold, from Symphonie Fantastique
Total playing time, 56:10