Sonny Clark Cool Struttin' XRCD24
Click Here for Sound Samples!
Out Of Print! Last Chance! Only a few copies left!
TAS Audiophile Demo Disc!
Michael Fremer Rated 9/10 Music, 9/10 Sonics in his May 2010 reviews on musicangle.com!
The Definitive Versions of Blue Note are on XRCD24... Listen & Compare!
Considered one of the great young pianists of the mid-to-late 1950s, Sonny
Clark was practically the house pianist at Blue Note during 1957-62 before his
premature death in 1963. He led seven albums for Blue Note during that time,
appeared on many dates as a sideman, and recorded Cool Struttin, which is
considered his main classic. Clark never recorded an unworthy chorus. His
playing was full of joyful discoveries, constant swing, and an optimistic
creativity that was indescribable and quite infectious. On Cool Struttin from
1958, Clark matches wits and inventive ideas with altoist Jackie McLean and
trumpeter Art Farmer. Their four lengthy performances, which include Miles Davis
Sippin' At Bells and the exotic Deep Night, are filled with magical moments
where the five musicians seem to think and create like one. The greatest jazz
performances include moments like those heard on Cool Struttin , where the music
has a life of its own beyond the individual players. The more one plays Cool
Struttin , the more it is obvious that this is one of the truly essential Blue
"When I listened to the Audio Wave XRCD release of [AWMXR0008] Lee Morgan - Tomcat I was awestruck. My conclusion was that rather than comparing digital to analog, a more logical conclusion was that the entire digital vs. analog debate becomes irrelevant when listening to a recording that is so far superior to anything that has come before it. My analog setup costs six times what my digital one does, but given the same Blue Note title on LP or XRCD I'd choose the XRCD each time. I question the motive of any writer who claims that there is an LP re-issue that equals the sound you all are achieving."
"I recently purchased three more Audio Wave Blue Note titles and the sound on each of them is really stunning. The clarity (without any brightness), dynamics, instrumental timbres and subtlety that I hear in these performances is amazing. You can really hear the emotion and intent of the performers in a way I have not experienced with my Blue Note records before, be it an original pressing, RVG remaster or one of the 45 rpm re- issues from other labels. When playing [AWMXR0010] Horace Silver- Cape Verdean Blues over the weekend, my mom (who was visiting from out of town) and daughter actually came in the room and started dancing around. Its magic on a silver disc."
"I hope you will have the opportunity to visit other back catalogs or more Blue Note titles with wizard Alan Yoshida at the helm. I have a new appreciation for the importance of mastering. Thanks for the great music." - Steven Frost, Elusive Disc Customer
"The sound here is about as good as I've heard CD get, especially in a direct comparison to the double 45rpm edition. The clarity and precision of the cymbals the overall depth developed and the bass' drive, definition and texture are exceptional and far superior." - Michael Fremer, Music Angle, Music 9/10, Sound 9/10
"I recommend these highly. If you want the best digital versions of these great Blue Note albums, grab these. In my opinion they are the best that have ever been done and probably the best that ever will be. They can't stay in print forever so don't delay!" - Steve Hoffman, Mastering Engineer
"Blue Note has never sounded this good on CD before - these are the first digital Blue Notes that come close to the sound of vinyl. And the packaging is outstanding. I love the high quality glossy covers, and the insert booklets are the first effort I've seen to fit high quality photography into such a small package. Keep up the good work!" - Dennis Davis, Hi-Fi+
"Astute listeners know that the very first Blue Note CD issues are sonically superior to the more recent RVG remasters. Well, these XRCD24s absolutely crush them both, displaying high-frequency air, midrange presence, and bottom-end definition and weight missing on earlier CDs and many LPs as well." - Mark Mickelson, TheAudioBeat.com
Click Here to read the entire review!
"Compared to the 45 r.p.m. vinyl, the LPs still have a slight edge in smoothness and liquidity, but thanks to the XRCD process and the care that was taken transferring these albums directly from the original analog masters, these CD’s have to be approaching the limit of what the compact disc is capable of resolving. Instrument timbre is stunningly real, and the amount of air and decay present on these recordings will make the uninitiated swear that there is a record playing on a turntable somewhere. I’ve never heard this music sound this good in any digital format." - Jeff Dorgay, TONEAudio
"The quality is next to none and as far the sound goes they are absolutely beautifully recorded, the timing is perfect and the clarity of the instruments is spot on, I will treasure these CDs. I am eagerly awaiting the rest of the collection." - Victor A., actual Elusive Disc customer
"The sound is absolutely stunning and natural and represents digital at its best. The space around instruments and decay times are reminiscent of live acoustic performances. The mini-hardcover book format packaging is exceptional with great photography and legible liner notes. Truly well done and keep them coming." - Roger B., actual Elusive Disc customer
“a well done XRCD... It’s a sound that comes about as close to analog excellence as we’ve heard from any digital format” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123
“These discs are open, dynamically free, tonally natural... the bass is textured, melodic, and explosive when a drummer lets loose.” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123
“...they may not quite equal the breathtaking sonics of the vinyl discs in transparency, immediacy, and ultimate dynamic pop, they come very close. So close, in fact... I was prepared to get up and flip the LP to Side Two—except I wasn’t listening to an LP but to a Yoshida-mastered XRCD.” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123
Protect your Audio Wave Music/Blue Note XRCD24 Collection!
The Japanese Top Sealing Resealable CD Outer Sleeves
are also Recommended! Also featuring a 3-Mil Thick Mylar that keeps out dirt and dust and protects from nicks and scratches, this Top
Sealing Sleeve features a Looser Fit for easier jacket removal and Top Sealing Strip creating a seam down the spine.
Click Here to find out more!
• Mastered and produced by Alan Yoshida and Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes!
• Highest Quality Analog-to-Digital transfers from tape to CD
• Deluxe Packaging with Hi-Resolution Black & White Session Photos by Francis Wolff.
• Includes Original Album Liner Notes
• XRCD24 is Compatible with ALL CD PLAYERS!
Art Farmer, trumpet
Jackie McLean, alto sax
Sonny Clark, piano
Paul Chambers, bass
"Philly" Joe Jones, drums
1. Cool Struttin'
2. Blue Minor
3. Sippin' At Bells
4. Deep Night
5. Royal Flush (Mono)
6. Lover (Mono)
||I want MORE!!!!
|I am not one who likes to pay 30.00 bucks a pop for a CD. However not only do I feel that I got my monies worth I only wish that some of my other Blue note favorites were available.
The sound of the two CD’s Purchased Horace Silver “ Cape Verdean Blues “ And Sonny Clark “Cool Struttin“ Are nothing short of sublime. In fact, if I can’t get the “ Audio Wave “ Re-masters then I go for the Original recordings. I will not play any of the RVG re-masters. If only Alan Yoshida could be allowed to go through the whole Blue note catalog. I would shell out 50 bucks for the 2 CD set of Donald Byrd At The Half Note Café “ I could go on and on with a list of CD I would like to see rescued from RVG re-mastering .
The liner notes and extra photos makes this a purchases you can feel good about .However as a budget audiophile I can honestly say that if the price would drop to 25. Bucks a piece I would by 3 or 4 at a time. Just saying|
|- Kenyatta, FL|