Sonny Rollins Vol. 1 Numbered Limited Edition 180g 45rpm Mono 2LP
TAS Super LP List! Special Merit: Informal
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Out Of Print!
Rare Numbered Limited Edition Copies!
Audio Beat Rated 4/5 Music, 5/5 Sound!
Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue
Note Master Tapes!
The Definitive issue of this classic Blue Note title!
Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!
Upgrading Connnections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious
lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session
photos in stunning high resolution - four times sharper than original Blue Note jacket photos.
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine
"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com
"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com
"Vol.1 was his first Blue Note recording, and it collects four expansive Rollins originals along with a cover of "How Are Things in Glocca Mora?" from the Broadway musical Finian's Rainbow. This seeming oddity was a calculated move, as Rollins was inventive with his choice of standards throughout his career. The set is relaxed and horn-driven, a 24-year-old Donald Byrd trading licks on trumpet with Rollins, who had gained gargantuan stature earlier in the year with the release of Tenor Madness." - John Crossett, www.theaudiobeat.com
In jazz history, Sonny Rollins ranks among tenor-saxophone giants with Coleman Hawkins, Lester Young, Ben Webster and John Coltrane. In his dazzling 60-year career at the top, Rollins has balanced melodic development with unpredictable phrases, infusing his innovative ideas with his memorable wit. Who else could take the show tune "How Are Things In Glocca Morra?" and turn it into a fertile device for a heated solo? On Vol. 1, Rollins plays that song and several of his originals in a quintet with Donald Byrd and Max Roach. While Rollins has composed quite a few jazz standards, his four songs on Vol. 1 (particularly "Decision" and "Sonnysphere") are long overdue to be revived. But who else could play those songs with the passion, intensity and humor of the immortal and always-original Sonny Rollins.
“There is everything to admire about these releases [BNLP1567-45 Curtis Fuller The Opener & BNLP1542-45 Sonny Rollins Vol. 1], right down to the sleeves, which are gorgeously rendered -- crisp and glossy. They would look as great hung on the wall as the LPs will sound on your turntable.” – Marc Mickelson, www.theaudiobeat.com, 4/5 Music, 5/5 Sound!
Click Here to read the entire review!
• Numbered, Limited Edition
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution
Donald Byrd, trumpet
Sonnny Rollins, tenor sax
Wynton Kelly, piano
Gene Ramey, bass
Max Roach, drums
3. How Are Things In Glocca Morra
4. Plain Jane
"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."
"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman