The Grateful Dead Live/Dead Numbered Limited Edition 180g 2LP
Featured in Michael Fremer's Heavy Rotation in the April 2012 Issue of Stereophile!
Rolling Stone 500 Greatest Albums of All Time - Rated 247/500!
Numbered, Limited Edition! Half-Speed Mastered from the Original Master
Tapes: Invite the Dead Into Your Living Room—You Won’t Believe How Good This Pressing Sounds!
Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Grateful Dead Rated 1st!
Precedent-Setting 1969 Release One of the Five Best Live Albums Ever Recorded
Pinnacle First-Era Grateful Dead Record Captures Best of Both Worlds: Band’s
Improvisational and R&B-Based Blues Sides on Display
Ranks #244 on Rolling Stone’s List of the 500 Greatest Records of All-Time
Part of Mobile Fidelity’s Amazing Grateful Dead Reissue Series:
Wake Of the Flood (MFSL 1-366),
Skull and Roses (MFSL 2-367), and
In the Dark (MFSL 1-369) also available on 180g LP!
If you want to experience why on any given night the Grateful Dead was the best
live band going in 1969, you need to hear Live/Dead. If you want to understand
how personal chemistry, symbiotic interplay, and otherworldly energy can lead to
a near-extinct onstage combination of soulfulness, surprise, and suspense, you
need to hear Live/Dead. Ranked by Rolling Stone on the magazine’s list of the
500 Greatest Records of All Time. Universally acclaimed by both Deadheads and
non-devotees alike. The perfect synthesis of the legendary group’s first-era
vital characteristics and cosmic faculties. A gorgeously recorded sonic artifact
and more, Live/Dead is outright essential.
Half-speed mastered from the original master tapes with the utmost care, and
part of Mobile Fidelity’s unprecedented Grateful Dead reissue series, this
numbered limited edition 180g 2LP version of Live/Dead raises the iconic album’s
lofty prestige even higher. Recorded at three San Francisco concerts in early
1969 with a mobile 16-track studio, the 7-song set has always possessed
excellent fidelity in large part because of a mic splitter—specially created for
the project—that fed both into the PA system and record inputs, allowing the
engineers to capture the shows without any loss in quality.
Seldom have venue dimensions, acoustic properties, spatial characteristics,
low-frequency resonances, amplifier tonalities, soundstage balances, and vocal
timbres been so faithfully reproduced—or enhanced. Mobile Fidelity’s version
elevates Live/Dead into the revered pantheon of the most respected reference
audiophile LPs. Close your eyes and you’re dead center, ten rows back in two of
the Bay Area’s most beloved halls: Fillmore West and Avalon Ballroom. The
degrees of realism are utterly staggering; no, you don’t need any, ahem,
chemical assistance to facilitate the transcendent experience.
Renowned for contagious communication between its members, the Dead operates on
a interstellar plane throughout Live/Dead. Witnessing the ebb-and-flow manners
in which guitarist Jerry Garcia, bassist Phil Lesh, and drummer Billy Kreutzmann
respond to one another’s passages and blur the lines between jazz, psychedelia,
and rock disciplines. Meandering jamming this is not. Solos burn, rhythms
thunder, bass lines roll, melodies twist. “Dark Star” remains the touchstone for
what’s possible in epic frameworks, with notes climbing, darting, and skittering
amidst a dark canvas seared with mystic vibes and punctuated with blossoming
instrumentals. Along with the inseparable pairing of “St. Stephen” and “The
Eleven—a sequence that highlights the raw gospel beauty of Garcia, Lesh, and Bob
Weir’s harmonies as well as breathtaking tightrope segues—the explorative
excursion epitomizes the Dead’s progressive inclination, cohesion, and ability.
Live/Dead isn’t all about the art of the improvisation. R&B-driven electric
blues comes courtesy of organist/vocalist Ron “Pigpen” McKernan, still in
excellent health, and pianist Tom Constanten, who departed the band shortly
after these shows occurred. The latter’s counterpoint playing and spiritual
accents shadow the shivering ballad “Death Don’t Have No Mercy” and underscore a
rousing, percussive-laden marathon take of “Turn on Your Love Light.”
Call-and-response segments, spontaneous exchanges, and joyous merry-making
doesn’t come any better. Live/Dead is a landmark in every sense; it remains the
first 16-track album released. Its impact is still felt today.
From the illustrative cover art (hint: the word “Dead” subtly spells out “Acid”
on the back cover) to the gatefold graphics and the extraordinary sonics, Mobile
Fidelity’s 180g 2LP edition ranks among the label’s best releases. Ever.
"After two expensive studio albums put the Dead $100,000 in debt, this live set was more than just cheap, it was pivotal. For the Dead, the magic happened onstage, as demonstrated by the glorious twenty-three-minute jam-outs on "Dark Star" and the band's cover of "(Turn On Your) Lovelight." - www.rollingstone.com
• Numbered, Limited Edition
• Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
1. Dark Star
2. St. Stephen
3. The Eleven
2. Death Don't Have No Mercy
3. And We Bid You Goodnight
|Mastered by Rob LoVerde|
|- Stefano Gagliardini, INT|