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Drive-By-Truckers Deliver 12th Album!
English Oceans, the 12th release by Athens, Georgia’s Drive-By Truckers, is an
elegantly balanced and deeply engaged effort that finds the group refreshed and
firing on all cylinders.
All but one of the collection’s 13 new songs, written by singer-guitarists and
co-founding members Patterson Hood and Mike Cooley, were recorded during 13 days
of sessions in August 2013 with longtime producer David Barbe.
Six of the songs were the result of a burst of writing activity by Cooley.
“I had time to write,” Cooley says. “After we came off the road last
time, we decided we were going to let it rest for a while. So I had time to
really focus. I kind of had to re-learn how to write, because I didn’t write as
many songs as I’d wanted on the last couple of records. I was happy with these
songs, and thrilled to go in and record so many that I felt real strongly
Hood notes, "I don’t think we’ve ever had a record where Cooley was as deeply
involved in every aspect of the making of it as he was this time. With Cooley’s
writing, there’s almost no precedent for it in our catalog. He came in with this
stunning bunch of songs, full of this beautiful imagery."
Writing independently, Cooley and Hood penned songs that dovetailed brilliantly
with each other. Hood says, "Every song on this record connects with another
song. I noticed Cooley’s got a line in ‘Primer Coat’ about ‘apron strings,’ and
I have the exact same image in one of my songs, ‘Hanging On.’ It goes on and on
and on like that on this record, and that’s a pretty good sign for things,
particularly given how different our temperaments are and our styles of writing
Cooley and Hood’s brace of character - based songs depict a neatly interlocking
gallery of relationships, often in dissolution and discord. The last song
written and recorded for the album, Hood’s rave-up “Pauline Hawkins,” was based
on a new novel by Willy Vlautin and penned after another of his compositions was
Hood says, "There was such a balance between Cooley’s songs and my songs that
taking a song off the record would upset the balance a little bit. I liked the
back-and-forth flow, like our shows tend to do. I got an advance copy of Willy’s
latest book, The Free. I’ve been a fan of his writing for a while. I read it in
about three days. I finished it on Saturday, I wrote the song on Sunday, and
then we cut it on Thursday and mastered the record on the following Monday. It
sure makes it a better record."
DBT’s ever-keen political edge can be seen in two songs on the release. Cooley’s
“Made Up English Oceans” derives from his interest in the career of Lee Atwater,
the Republican operative who was active in the Reagan and Bush campaigns of the
‘80s. “He was the guy that Karl Rove and all of the modern dirty tricksters
looked to – he was one of the granddaddies of it all. That song is from his
point of view, fictionally of course. It’s him making his pitch, telling what he
understands about young, Southern men.”
Hood says “The Part of Him” was inspired by the procession of scandals that
plague the political world year after year. "It’s about political assholery
-- there’s someone new playing that role every few months,” he says. “As
soon as we get rid of one of them, someone comes up and starts playing that part
Reflecting the renewed high level of collaboration between the band’s two
principals, English Oceans marks an unprecedented event: the recording of a Hood
song, “Til He’s Dead or Rises,” with Cooley assuming the lead vocal.
Cooley says, “I remember Patterson was getting frustrated trying to sing it.
He was doing fine, but it seemed like there was something he wanted to do that
wasn’t coming. I was in the control room thinking, ‘I could probably sing this’
-- though it wasn’t like I was saying, ‘Oh, I can sing this a lot better than
that.’ I was thinking, ‘This sounds like something I could sing.’ Right after
that, he walks into the control room and says, ‘You want to trying singing this?
It sounds more like you than me.’ I said, ‘Yeah, I was just thinking that.’”
The album was recorded with a compact, retooled lineup. Jay Gonzalez, who joined
the band in 2008 as keyboardist, stepped into an expanded role by adding guitar
to his duties, while bassist Matt Patton was drafted from the Tuscaloosa group
The Dexateens. The unit was road-tested during dates in 2013.
Cooley says, "This lineup is so direct. It can go from this chainsaw rock ‘n’
roll to very delicate, pretty-sounding stuff. We wrote a lot of those kinds of
songs, and this lineup got all of that well."
Looking at the accomplishments of English Oceans from the perspective of DBT’s
nearly three-decade history, both Cooley and Hood decline to hedge their bets on
the quality of their latest work.
“You’re always hesitant to say, ‘Oh, this is the best record we’ve ever
made,’” Cooley says, “because you always want to. And sometimes you say
it, and sometimes you’re right, and sometimes you think, ‘Well, maybe I jumped
the gun on that a little bit, I got excited.’ But I think this just might be the
best record we’ve ever made.”
Hood concurs enthusiastically: “It’s my favorite thing that we’ve ever done.
I’m proud of our catalog – we always try to make as good a record as we can
make. Sometimes things just work. This time, we made kind of a magical record.
I’ve always felt that Decoration Day was our best record, and this is the first
one that I think is a better record than that was. Every piece of the puzzle
"The greatest extant American rock and roll band." -Stereogum
• Double Vinyl
• Includes album download
Mike Cooley, vocals, guitar, banjo
Patterson Hood, vocals, guitar
Matt Patton, vocals, bass
Jay Gonzalez, vocals, piano, guitar
Brad Morgan, drums, percussion
1. Shit Shots Count
2. When He's Gone
3. Primer Coat
4. Pauline Hawkins
5. Made Up English Oceans
6. The Part of Him
7. Hearing Jimmy Loud
8. Til He's Dead or Rises
9. Hanging On
10. Natural Light
11. When Walter Went Crazy
12. First Air of Autumn
13. Grand Canyon