The Definitive Versions of Blue Note are on XRCD24... Listen & Compare!

Tina Brooks' star burned with intense brightness before disappearing in the same tragic manner of too many other bop players of the time. Many jazz fans missed Tina Brooks' recordings, the best of which were extraordinary by any measure. A soulful hard bop tenor-saxophonist with a sound of his own, Brooks (1932-74) had a brief life. Most of his better known recordings as a leader and sideman took place during a four year period from 1958-61. Unsung at the time, Brooks is now considered a true giant of the art. Brooks' passionate and full sound and forward-looking style, along with his exceptional compositional gifts, combined to make him a powerful force. True Blue has become one of the most sought-after Blue Notes of all time. True Blue, along with the album Back To The Tracks, contains most of Tina Brooks finest moments on record. Recorded in June of 1960, True Blue showcases Brooks along with the young firebrand trumpeter Freddie Hubbard in a set of highly inventive originals. Driven by an all-star rhythm section, True Blue is exhibit No. 1 for proof of Tina Brooks' majestic sound and soulful writing prowess. For many aficionados of the Blue Note label, Tina Brooks' True Blue is the very essence of the Blue Note sound and feel.

"I recommend these highly. If you want the best digital versions of these great Blue Note albums, grab these. In my opinion they are the best that have ever been done and probably the best that ever will be. They can't stay in print forever so don't delay!" - Steve Hoffman, Mastering Engineer

"Blue Note has never sounded this good on CD before - these are the first digital Blue Notes that come close to the sound of vinyl. And the packaging is outstanding. I love the high quality glossy covers, and the insert booklets are the first effort I've seen to fit high quality photography into such a small package. Keep up the good work!" - Dennis Davis, Hi-Fi+

"Astute listeners know that the very first Blue Note CD issues are sonically superior to the more recent RVG remasters. Well, these XRCD24s absolutely crush them both, displaying high-frequency air, midrange presence, and bottom-end definition and weight missing on earlier CDs and many LPs as well." - Mark Mickelson, TheAudioBeat.com Click Here to read the entire review!

"Compared to the 45 r.p.m. vinyl, the LPs still have a slight edge in smoothness and liquidity, but thanks to the XRCD process and the care that was taken transferring these albums directly from the original analog masters, these CD’s have to be approaching the limit of what the compact disc is capable of resolving. Instrument timbre is stunningly real, and the amount of air and decay present on these recordings will make the uninitiated swear that there is a record playing on a turntable somewhere. I’ve never heard this music sound this good in any digital format." - Jeff Dorgay, TONEAudio

"The quality is next to none and as far the sound goes they are absolutely beautifully recorded, the timing is perfect and the clarity of the instruments is spot on, I will treasure these CDs. I am eagerly awaiting the rest of the collection." - Victor A., actual Elusive Disc customer

"The sound is absolutely stunning and natural and represents digital at its best. The space around instruments and decay times are reminiscent of live acoustic performances. The mini-hardcover book format packaging is exceptional with great photography and legible liner notes. Truly well done and keep them coming." - Roger B., actual Elusive Disc customer

“a well done XRCD... It’s a sound that comes about as close to analog excellence as we’ve heard from any digital format” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123

“These discs are open, dynamically free, tonally natural... the bass is textured, melodic, and explosive when a drummer lets loose.” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123

“...they may not quite equal the breathtaking sonics of the vinyl discs in transparency, immediacy, and ultimate dynamic pop, they come very close. So close, in fact... I was prepared to get up and flip the LP to Side Two—except I wasn’t listening to an LP but to a Yoshida-mastered XRCD.” - Wayne Garcia, TAS Issue 203, June/July 2010 pg. 120-123

Protect your Audio Wave Music/Blue Note XRCD24 Investment!
The Japanese Side Sealing Resealable CD Outer Sleeves are Highly Recommended for your XRCD Covers! Featuring a Snug Fit for easy storage, Side Sealing Strip making the spine easier to read and 3-Mil Thick Mylar that keeps out dirt and dust and protects from nicks and scratches!
Click Here to find out more!

The Japanese Top Sealing Resealable CD Outer Sleeves are also Recommended! Also featuring a 3-Mil Thick Mylar that keeps out dirt and dust and protects from nicks and scratches, this Top Sealing Sleeve features a Looser Fit for easier jacket removal and Top Sealing Strip creating a seam down the spine.
Click Here to find out more!

Features:
• Mastered and produced by Alan Yoshida and Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes!
• Highest Quality Analog-to-Digital transfers from tape to CD
• Deluxe Packaging with Hi-Resolution Black & White Session Photos.
• Includes Original Album Liner Notes
• XRCD24 is Compatible with ALL CD PLAYERS!

Musicians:
Tina Brooks, tenor sax
Freddie Hubbard, trumpet
Duke Jordan, piano
Sam Jones, bass
Art Taylor, drums

Selections:
1. Good Old Soul
2. Up Tight's Creek
3. Theme For Doris
4. True Blue
5. Miss Hazel
6. Nothing Ever Changes My Love For You